Oz Fritz – Episode 15
In this episode, Mike Gathers chats with underground sound engineer Oz Fritz on the deeper influences of Aleister Crowley and James Joyce on Robert Anton Wilson’s fictional prose.
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Links…
Oz’s blog:
http://oz-mix.blogspot.com/
RAWIllumination.net’s Tom Jackson interviews Oz and includes a detailed bio of Oz’s sound career:
http://www.rawillumination.net/2016/10/oz-fritz-talks-with-rawillumination.html
Robert Anton Wilson:Transmission of Baraka:
https://oz-mix.blogspot.com/2010/11/robert-anton-wilsontransmission-of.html
Oz’s album of recordings from around the world:
https://www.amazon.com/Bill-Laswells-Material-Presents-Around/dp/B0014S45A8/
Oz’s plays himself in a brief cameo in Les Claypool’s Jam Band mockumentary Electric Apricot:
https://www.youtube.com/watch?v=kz80qXtm_FU
…the distinction between “magick” and “communication” exists only in our traditional ways of thinking. The uncanny Egyptians attributed both inventions to a single deity, Thoth, god of speech and other illusions.
In the existential world — in the sensory-sensual continuum — Thoth still reigns and language still has magick. All communication contains sorcery and/or hypnosis, because humans use howls, snarls, yaps, purrs, gargles, gurgles, etc. — noises of many sorts — to create a neuro — semantic “grid” projected upon all incidents and events. We generally call these grids languages.
– Robert Anton Wilson, Email to the Universe
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