Oz Fritz – Episode 15

In this episode, Mike Gathers chats with underground sound engineer Oz Fritz on the deeper influences of Aleister Crowley and James Joyce on Robert Anton Wilson’s fictional prose.

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Links…

Oz’s blog:
http://oz-mix.blogspot.com/

RAWIllumination.net’s Tom Jackson interviews Oz and includes a detailed bio of Oz’s sound career:
http://www.rawillumination.net/2016/10/oz-fritz-talks-with-rawillumination.html 

Robert Anton Wilson:Transmission of Baraka:
https://oz-mix.blogspot.com/2010/11/robert-anton-wilsontransmission-of.html 

Oz’s album of recordings from around the world:
https://www.amazon.com/Bill-Laswells-Material-Presents-Around/dp/B0014S45A8/ 

Oz’s plays himself in a brief cameo in Les Claypool’s Jam Band mockumentary Electric Apricot:
https://www.youtube.com/watch?v=kz80qXtm_FU

Host Mike Gathers

Producer/Engineer Ryan Reeves 

Download the podcast . . .

…the distinction between “magick” and “communication” exists only in our traditional ways of thinking. The uncanny Egyptians attributed both inventions to a single deity, Thoth, god of speech and other illusions.

In the existential world — in the sensory-sensual continuum — Thoth still reigns and language still has magick. All communication contains sorcery and/or hypnosis, because humans use howls, snarls, yaps, purrs, gargles, gurgles, etc. — noises of many sorts — to create a neuro — semantic “grid” projected upon all incidents and events. We generally call these grids languages.

– Robert Anton Wilson, Email to the Universe

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